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This short novel was intended to
be a title The theme was an internal one of obsession and exorcism, and the characters act out their roles as they pertain to a neuroses-prone womans obsessive attachment to her estranged husband. The setting in Rome, but in contrast to the other book, it is not a sunny beautiful Italy, but a rainy, cold environment, often frustrating to the Americans who for one reason or another are separated from their native land and in residence abroad. The woman, Martha, longs for freedom from her inner struggle and thinks she has found it when a stranger guesses at her dilemma. His intuition puts them in an intimate relationship, but the affair turns destructive, though it does indeed break the obsession. The book was generally misunderstood and disliked by U.S. critics but had a very good reception in England, where I was told it was Heinemanns best reviewed novel of the year. It was reprinted in The Stories of Elizabeth Spencer and is currently available in The Light in the Piazza and Other Italian Tales (University Press of Mississippi). |
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